Martin Luther King Remembered (spotlight: Compline in Pittsburgh)

Dr. Martin Luther King, Jr. Memorial in Washington, D.C.

Dr. Martin Luther King, Jr. Memorial in Washington, D.C.

Every year in January, on the Sunday evening before the holiday in his memory, the Compline Service in Seattle is dedicated to the Rev. Martin Luther King, Jr.  There is always an increase in the number of attendees, as is typical for any Sunday before a  holiday. I’ll describe  several pieces of music we sing for that service, and then focus on the Compline Choir from Pittsburgh, one of the more than 50 choirs praying Compline across North America.

Although the Episcopal Church and the Lutheran Church in the United States do not canonize saints, Dr. King is recognized and venerated in their liturgical calendars.  We often begin Compline by singing “Holy is the true light” in a setting by the British composer Sir William Harris (1883-1973).  Listen to it from our podcast on January 17, 2010, preceded by the opening prayer:

Holy is the true light, and passing wonderful,
Lending radiance to them that endure in the heat of the conflict.
From Christ they inherit a home of unfading splendor
Wherein they rejoice with gladness evermore.  Alleluia!

As the hymn at Compline for that night,  we often sing an African-American spiritual,  many of which have been arranged by members or former members of the choir.  In January we sang Jeff Junkinsmith’s setting of “There is a balm in Gilead”; listen to it here in a recording from our CD “American Songs of Faith and Longing“:

*  *  *  *  *  *  *  *  *  *  *  *  *  *  *

Heinz Chapel

Heinz Chapel at the University of Pittsburgh

I’ve been telling the story of groups praying the Office of Compline, and next is the Pittsburgh Compline Choir, formed in 1988.

John W. Becker, the group’s founding director, related to me the story of how the group got started.  He had made a trip to Seattle (possibly an American Guild of Organists event), where he had attended the Compline service; on his return to Pittsburgh, a group of students from the University of Pittsburgh had gathered at his home, and, hearing his description of Compline, expressed a great interest in learning about chant and praying the office.  John’s wife, The Rev. Ruth Bosch Becker, was Lutheran Campus Pastor at the University, and “was instrumental in helping the new Pittsburgh Choir find sponsorship in Lutheran Campus Ministry and hence access to Heinz Memorial Chapel at the University of Pittsburgh for the Sunday Evening Services.”  John also got “encouragment and sage advice” from Carl Crosier from the Compline Choir in Honolulu.

As there was no countertenor tradition when the choir was formed, it has always been a mixed group of men and women.  The service follows closely that in the Lutheran Book of Worship.  John writes: “The congregation sings the responses to chant formularies which I wrote and also sings a hymn.  As compared with the Seattle tradition, we chanted three Psalms in various styles each followed by a silence and then by a Psalm prayer chanted by a choir member.”

After John retired from the choir, the group was directed for about five years by Stephen Schall, then by Andrew Scanlon from 2005-2009.  The current conductor is Alastair Stout, and the choir has been sponsored the last several years by First Lutheran Church.  Since he became director, Alastair has introduced several collaborations with other musical organizations.  The first was to invite members of the Pittsburgh Symphony Orchestra to play the prelude music before the service, as well as improvise between verses of the psalms.  The second was in working with composition students from Duquesne University to write new music for the choir, holding public workshops on the pieces and assisting the students in writing for the particular type of service, as well as the choir and resonant acoustics of Heinz Chapel.

Don’t miss visiting the Pittsburgh Compline Choir‘s fine website; there’s also a must-see video on the choir on the home page.  And visit their blog, written by choir member Tim Mobley, which gives insight into some of the music the choir sings each week.  Also, a good introduction to the service was written by Paul Kent Oakley in his blog Night Prayers (May 2010).  It includes links to some of the videos of the choir from September 14, 2008.

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  1. #1 by jefe on February 21, 2012 - 3:11 pm

    Ken,
    Good information about Pittsburgh’s beginnings and continual evolution. They have the number one prerequisite for Compline; a great sonic space. Last sunday, our Parish Quire sang the Harris piece you mention, and I thought while listening to it that it would make a fine Orison for Compline. Then,… here it its! We’ll put it in the Trinity Compline Choir’s repertoire for next year’s Epiphany. Actually, it would work for after Easter also.
    Keep up the good work.
    regards, as always, jefe
    In manus tuas, Domine, commendo spiritum meum

  2. #2 by jefe on February 22, 2012 - 2:22 pm

    Ken,
    jefe here again. I picked up the Harris, “Holy is the true light” from church today after the Ash Wednesday service and listened again to your clip of the piece with the music in my hands. You do a completely different harmonization or arrangement of it. Is yours a Hallock arrangement? It has his finger prints all over it. I’m going to transpose the original Harris down a 4th for our group, the same key you do it in.
    regards, as always, jefe
    In manus tuas, Domine, commendo spiritum meum

  3. #3 by Ken Peterson on February 22, 2012 - 3:01 pm

    Yes, there is an ATTB arrangement, which must be the one we do. I found a link to it: http://www.musicroom.com/se/ID_No/027756/details.html . By the way, we’re having problems with our links to podcasts, so some of the links from other blogs of mine might not be working. Should be fixed soon. Cheers, Ken

  4. #4 by jefe on February 29, 2012 - 9:07 pm

    Ken,
    I ordered the Harris ATTB version from a music store in Florida and it has been shipped. I talked to Peter-the-
    Great Hallock a few days ago and he said the Harris piece was one of the only one’s he brought back from his college days at Canterbury in the early 50’s. Wow, 60 years ago! It was hot off the press. I did transpose the SATB version down a 4th, but I don’t think it works as well as the one you sing.
    regards, as always, jefe
    In manus tuas, Domine, commendo spiritum meum

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